If You Liked: The Time Traveler's Wife

Then You'll Also Like
The Blind Assassin by Margaret Atwood

Although one of these books involves actual time traveling and the other does not, you’ll find that they have the same effect. If you enjoyed the excitingly haphazard construction of Audrey Niffenegger’s The Time Traveler’s Wife--never knowing quite what will happen next—you’re sure to get sucked into the bizarre world of Margaret Atwood’s The Blind Assassin. Henry and Clare’s life of unpredictability and confusion is mirrored, although in quite a different way, in the existence of two sisters, Laura and Iris, who never could quite understand one another. The most important characteristic, and what makes each of these novels work, is the purposeful guidance the reader experiences, without even realizing it as the stories are written out of order with numerous interruptions. When at first the placement of events may seem chaotic, they are really carefully and intricately woven in just the right way.

While Niffenegger fills the bill by consistently letting you know age and time and place, Atwood creates the same affect by combining the main plot line with news articles, remembrances, and exotic and violent novellas. Each requires the mind to work out of sync, which will leave you reeling with endless possibilities. So if you liked The Time Traveler’s Wife, try out The Blind Assassin!

The Blind Assassin by Margaret Atwood

Genre: General fiction
Publisher, Year: McClelland and Stewart, 2000
Other Works: The Year of the Flood, Alias Grace
Flags: Adult themes, Tenuous references
Rating: A or Great Read
Challenge: Book Awards III
Premise: An old woman reflects on her turbulent life and that of her ill-fated sister.

The Blind Assassin is the type of reading experience that becomes an event. Although it may seem like chaos at first, it’s actually a perfectly choreographed affair, with every moment accounted for. Atwood brilliantly weaves together several stories, which seem unrelated. It’s as if the author took an old woman’s last memoir, a science fiction book, a private journal, and a bunch of newspaper clippings and threw them up in the air, gathering them into one big mess. Then, slowly, they merge and line up in your mind, and their connections suddenly appear. Then, the jumbledness of the text emerges in sharp focus, and the mismatched accounts seem so correctly in their places.

The book begins with the unfortunate report of the death of a young author, Laura Chase. Then, an abrupt shift to a sort of stream-of-consciousness, third person view into a secret love affair--one of the pair a storyteller. The bulk of the book is told from the perspective of a woman in the twilight of her years, Iris, who feels it’s time to put her memories to paper. +/-

I enjoyed Iris’s voice, accepting yet vigorous and dripping with sarcasm. Although, in the end I hated her. Which is unfair, because the reasons I liked her grew out of the choices she made for which I hated her. I didn’t feel a particular attachment to these characters, but that didn’t take away from my experience with the novel, surprisingly enough. I don’t think the author wanted us to connect with them--it’s like she built a wall there intentionally. So that we could look over it secretly, so we could be conflicted.

I found myself completely sucked in by the science fiction side-story, “the blind assassin,” in a sort of gruesomely creative way. And--what sets Atwood apart from others as one of the greats--she expertly turns something detestable into a tribute of beauty and life and love. However, the main story, Iris’s reflections, proved to be equally as compelling.

Atwood is an amazing connoisseur of language--she wove a web of words for which I’ve never seen the like. She is an unforgettable talent. This book is truly a masterpiece, one I know I’ll be thinking about for a long time.